Harry Potter and the Prisoner of Azkaban | ||||
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Film score by John Williams | ||||
Released | 25 May 2004 | |||
Genre | Film soundtrack | |||
Length | 68:37 | |||
Label | Warner/Sunset | |||
Harry Potter chronology | ||||
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The Harry Potter and the Prisoner of Azkaban original motion picture soundtrack was released on 25 May 2004. The film's score was composed and conducted by John Williams. It introduced two major themes: "Window to the Past" and "Double Trouble", although neither were featured in the series' other films. Two other notable themes were used to represent the Time-Turner and Sirius Black's hunt for Harry. The soundtrack was performed at Abbey Road Studios in London. It charted at 68 on the Billboard 200 and also charted at three on the Top Soundtracks Chart.[1]
The album was nominated for the Academy Award for Best Achievement in Music Written for Motion Pictures, Original Score, the Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media and the World Soundtrack Award for Best Original Soundtrack.
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Double Trouble was composed by John Williams during the production of the film as he felt to be a warm welcome back to Hogwarts. The song was sung by the London Oratory School Schola. The lyrics to this song are taken directly from Shakespeare's Macbeth.
The track is heard when Hermione and Harry use the time turner to go back in time. During the whole piece a ticking sound is heard, indicating that time is running out. Loads of flourishing strings over-lap the four note motif that the brass repeat rhythmically, and lastly the little bursts of woodwind throughout enforce the sensation of movement.
This music is heard when Harry is attempting to save Sirius Black from the Dementors. The piece mainly consists of discordant wavering strings at the beginning, but as it progresses, Williams weaves punctuating piccolos and long notes of brass that gradually build up the menacing tension. This rises to a climax where thunderous clusters of timpani and hair-raising choir are introduced only to die back down, followed by an atmospheric flutter from the harp. The strings then lead into another extremity which uses bits and pieces from John Williams's "The Patronus Light", interjected by harsh grating brass. The music appears to die off again instantly; however, the familiar sound of lush strings and celesta (so prominent in John Williams's earlier scores for these films) subdue the tension afore.
This is probably best known for appearing in the Goblet of Fire film trailer.
The album was well received among film music critics. Archie Watt of MovieCues highly praised the score, calling it "One of the best albums of 2004, and well worth a listen by any film music or John Williams fan."[2]
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